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‘ οὐκ ἂν οὖν ποτε συνίδοι τὰ περὶ τὴν
ἁρμονικὴν πραγματείαν ὁ μέχρι αὐτῆς τῆς γνώσεως ταύτης προεληλυθώς, ἀλλὰ δηλονότι παρακολουθῶν
ταῖς τε κατὰ μέρος ἐπιστήμαις καὶ τῷ συνόλῳ σώματι τῆς μουσικῆς καὶ ταῖς τῶν μερῶν μίξεσί τε
καὶ συνθέσεσιν, ὁ γὰρ μόνον ἁρμονικὸς περιγέγραπται τρόπῳ τινί. καθόλου μὲν οὖν εἰπεῖν, ὁμοδρομεῖν δεῖ τὴν τ᾽ αἴσθησιν καὶ τὴν διάνοιαν ἐν
[p. 522]
τῇ κρίσει τῶν τῆς μουσικῆς μερῶν καὶ μήτε προάγειν,
ὃ ποιοῦσιν αἱ προπετεῖς τε καὶ φερόμεναι
’
Plutarch. Moralia. Gregorius N. Bernardakis. Leipzig. Teubner. 1895. 6.
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