iambis: on account of its rapid movement the iambic rhythm was regarded as especially well adapted to invective. Its use in lampoons goes back to the Greek poet Archilochus of the seventh century B.C. Cf. A. P. 79, 251; Epist. 1. 19. 23; Quint. 10. 1. .9, scriptores iamborum. Horace calls the Epodes iambi; but no extant Epode is meant here.—pones: The future here is partly permissive and partly jussive; thou shalt put.
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poem:
Ode I
Ode II
Ode III
Ode IV
Ode V
Ode VI
Ode VII
Ode VIII
Ode IX
Ode X
Ode XI
Ode XII
Ode XIII.
Ode XIV
Ode XV
Ode XVI
Ode XVII.
Ode XVIII.
Ode XIX
Ode XX.
Ode XXI
Ode XXII.
Ode XXIII.
Ode XXIV
Ode XXV.
Ode XXVI.
Ode XXVII
Ode XXVIII
Ode XXIX
Ode XXX
Ode XXXI
Ode XXXII.
Ode XXXIII.
Ode XXXIV
Ode XXXV
Ode XXXVI
Ode XXXVII
Ode XXXVIII
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Horace. Odes and Epodes. Edited with commentary by. Paul Shorey. revised by. Paul Shorey and Gordon J. Laing. New York. Benj. H. Sanborn and Co. 1910.
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