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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2 4 0 Browse Search
Rebellion Record: a Diary of American Events: Documents and Narratives, Volume 7. (ed. Frank Moore) 2 0 Browse Search
Southern Historical Society Papers, Volume 15. (ed. Reverend J. William Jones) 2 0 Browse Search
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Browsing named entities in Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2. You can also browse the collection for F. Stone or search for F. Stone in all documents.

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Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Chapter 18: Stratford-on-avon.—Warwick.—London.—Characters of judges and lawyers.—authors.—society.—January, 1839, to March, 1839.—Age, 28. (search)
o write a sentence of prose as it does Wordsworth one of poetry; and, in illustration, he showed me a thought in Wordsworth's last work, Yarrow Revisited, and other Poems, 1835.—dedicated to Rogers,—on the saying of the monk who had sat before the beautiful pictures so long and seen so many changes, that he felt tempted to say, We are the shadows, and they the substance. They are in truth the Substance, we the Shadows,—from Wordsworth's Lines suggested by a portrait from the pencil of F. Stone. I am sometimes inclined to think that we and not they are the shadows,—Rogers's Italy, note 241. This same story you will find in a note to the Italy. Rogers wrote his note ten times over before he was satisfied with it; Wordsworth's verse was published almost as it first left his pen. Look at the two. You have often heard of Rogers's house. It is not large; but the few rooms—two drawing-rooms and a dining-room only—are filled with the most costly paintings, all from some of the
Edward L. Pierce, Memoir and letters of Charles Sumner: volume 2, Jan. 23, 1839. (search)
o write a sentence of prose as it does Wordsworth one of poetry; and, in illustration, he showed me a thought in Wordsworth's last work, Yarrow Revisited, and other Poems, 1835.—dedicated to Rogers,—on the saying of the monk who had sat before the beautiful pictures so long and seen so many changes, that he felt tempted to say, We are the shadows, and they the substance. They are in truth the Substance, we the Shadows,—from Wordsworth's Lines suggested by a portrait from the pencil of F. Stone. I am sometimes inclined to think that we and not they are the shadows,—Rogers's Italy, note 241. This same story you will find in a note to the Italy. Rogers wrote his note ten times over before he was satisfied with it; Wordsworth's verse was published almost as it first left his pen. Look at the two. You have often heard of Rogers's house. It is not large; but the few rooms—two drawing-rooms and a dining-room only—are filled with the most costly paintings, all from some of the