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Jula Ward Howe, Reminiscences: 1819-1899 6 0 Browse Search
Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1 2 0 Browse Search
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Browsing named entities in Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1. You can also browse the collection for Mary Devlin or search for Mary Devlin in all documents.

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Laura E. Richards, Maud Howe, Florence Howe Hall, Julia Ward Howe, 1819-1910, in two volumes, with portraits and other illustrations: volume 1, Chapter 9: no. 13
Chestnut Street
, Boston 1864; aet. 45 (search)
t square. The stairs were shut off from the rest of the house by a stout door. And here, through the summer heats, and in spite of many wasps, I wrote my five-act drama, dreaming of the fine emphasis which Mr. Booth would give to its best passages and of the beautiful appearance he would make in classic costume. He, meanwhile, was growing into great fame and favor with the public, and was called hither and thither by numerous engagements. The period of his courtship and marriage To Mary Devlin, an actress of great charm. intervened, and a number of years elapsed between the completion of the play and his first reading of it. At last the time seemed ripe for the production of the play. E. L. Davenport, the actor manager of the Howard Athenaeum, agreed to produce it: Charlotte Cushman was to play Phaedra to Booth's Hippolytus. Rehearsals began, the author's dream seemed close upon fulfilment. Then came a slip never fully explained: the manager suddenly discovered that the s