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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 1 1 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for Felix Courmont or search for Felix Courmont in all documents.

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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
America, solitude. Les Savanes (1841) is a collection of his shorter pieces. Tullius Saint-Ceran wrote Rien ou Moi in 1837, and Mil huit cent quatorze et Mil huit cent quinze in 1838. The latter celebrates the battle of New Orleans, as does an epic in ten cantos by Urbain David, of Cette, entitled Les Anglais a la Louisiane en 1814 et 1815 (1845). Lussan, the author of Les martyrs de la Louisiane, produced in 1841 Les Imperiales, a volume of homage to Napoleon in the style of Hugo. Felix de Courmont began in 1866 a poetical daily, in which he printed his own mediocre verse, chiefly satirical. Constant Lepouze, the best Latin scholar of Louisiana, gracefully translated the odes of Horace in Poesies Diverses (1838). In 1845 Armand Lanusse published Les Cenelles, a very interesting volume of poems by Boise, Dalcour, Liotau, Valcour, Thierry, and others, inspired evidently by Hugo and Beranger, but striking at times a note of independence and jocularity. The following, from Thierry,