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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 1 1 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for August 31st, 1914 AD or search for August 31st, 1914 AD in all documents.

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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
(Daly's Theatre, 3 December, 1911) and Medill Patterson's Rebellion (Maxine Elliott's Theatre, 3 October, 1911). And, even with its excrescences of bad taste, Louis K. Anspacher's The Unchastened woman (9 October, 1915) possessed marked distinction of characterization. In the sphere of simple human comedy, Winchell Smith's The fortune hunter (4 September, 1909) and J. Hartley Manners's Peg oa My heart (Cort Theatre, 20 December, 1912), are typical; while Elmer Reizenstein's On trial (31 August, 1914), with its cut back scenes, showed the direct influence of moving-picture technique on dramatic writing. There are hosts of American farces, true to type, racy with American foibles, like Rupert Hughes's Excuse Me (Gaiety Theatre, 13 February, 1911), Roi Cooper Megrue's It pays to Advertise (Cohan Theatre, 8 September, 1914), Augustin Mc-Hugh's Officer 666 (Gaiety Theatre, 12 August, 1912), Avery Hopwood and Mary Roberts Rinehart's Seven days (Astor Theatre, 10 November, 1909). One