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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 1 1 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for October 3rd, 1906 AD or search for October 3rd, 1906 AD in all documents.

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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
ive. Colleges began offering courses in dramatic technique, and from the classes of Professor George P. Baker at Harvard and Professor Brander Matthews at Columbia commendable graduates have come to the theatre. The consequence is that the number of American writers of drama has increased largely, with not a commensurate increase of typically American plays. The most notable examples of dramatic contributions within the past twenty years are William Vaughn Moody's The great divide (3 October, 1906), Josephine Preston Peabody's The Piper (New Theatre, 30 January, 1911), George C. Hazelton and J. H. Benrimo's The yellow Jacket (Fulton Theatre, 4 November, 1912), Charles Kenyon's Kindling (Daly's Theatre, 3 December, 1911), and Eugene Walter's The Easiest way (Belasco Theatre, 19 January, 1909). Moody, See Book III, Chap. X. whose untimely death cut short the future of a man who, with his literary sense might have grown into theatre requirements because of an innate dramatic to