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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.) 2 2 Browse Search
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Browsing named entities in Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.). You can also browse the collection for January 11th, 1905 AD or search for January 11th, 1905 AD in all documents.

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Cambridge History of American Literature: volume 3 (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Book III (continued) (search)
895) to the adaptation of Zaza (8 January, 1899) represented his discovery of increasing ability in the emotionalism of Mrs. Carter; and his successive presentation of her in such spectacular dramas as Du Barry (25 December, 1901) and Adrea (11 January, 1905) measured his belief in her histrionic power. In the same way, his faith in Blanche Bates prompted him to write many scenes in Madame Butterfly (5 March, 1900), The Darling of the gods (3 December, 1902), and The girl of the Golden West (14s at first wrote local dramas, like Alabama (April, 1891) and Arizona (Chicago, 12 June, 1899), which in content he never excelled; he showed his brilliancy of observation and terseness of dialogue in such pieces as Mrs. Leffingwell's boots (11 January, 1905) and The other girl (29 December, 1903). Then he arrived at his serious period, where interest in psychic phenomena resulted in The Witching hour (18 November, 1907), The Harvest moon (18 October, 1909), and As a man thinks (13 March, 1911）—