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[p. 141] the inlaudabilis, namely, one who is worthy neither of mention nor remembrance, and is never to be named; as, for example, in days gone by the common council of Asia decreed that no one should ever mention the name of the man who had burned the temple of Diana at Ephesus. 1

There remains the third criticism, his use of the expression “a tunic rough with gold.” But squalentem signifies a quantity or thick layer of gold, laid on so as to resemble scales. For squalere is used of the thick, rough scales (squamae) which are to be seen on the skins of fish or snakes. This is made clear both by others and indeed by this same poet in several passages; thus: 2

A skin his covering was, plumed with brazen scales (squamis
And clasped with gold.
and again: 3
And now has he his flashing breastplate donned,
Bristling with brazen scales (squamis).
Accius too in the Pelopidae writes thus: 4
This serpent's scales (squamae) rough gold and purple wrought.
Thus we see that squalere was applied to whatever was overloaded and excessively crowded with anything, in order that its strange appearance might strike terror into those who looked upon it. So too on neglected and scaly bodies the deep layer of dirt was called squalor, and by long and continued use in that sense the entire word has become so corrupted, that finally squalor has come to be used of nothing but filth.

1 He is said to have set fire to the temple in order to make himself notorious for all time; see Val. Max. viii. 14. Exb. 5. His name, Herostratus, was preserved by Theopompus.

2 Aen. xi. 770.

3 Aen. xi. 487.

4 v. 517, Ribbeck3.

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