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chapter:
INTRODUCTION
CHAPTER I: FLOORS
CHAPTER II: THE SLAKING OF LIME FOR STUCCO
CHAPTER III: VAULTINGS AND STUCCO WORK
CHAPTER IV: ON STUCCO WORK IN DAMP PLACES, AND ON THE DECORATION OF DINING ROOMS
CHAPTER V: THE DECADENCE OF FRESCO PAINTING
CHAPTER VI: MARBLE FOR USE IN STUCCO
CHAPTER VII: NATURAL COLOURS
CHAPTER VIII: CINNABAR AND QUICKSILVER
CHAPTER IX: CINNABAR (continued)
CHAPTER X: ARTIFICIAL COLOURS. BLACK
CHAPTER XI: BLUE. BURNT OCHRE
CHAPTER XII: WHITE LEAD, VERDIGRIS, AND ARTIFICIAL SANDARACH
CHAPTER XIII: PURPLE
CHAPTER XIV: SUBSTITUTES FOR PURPLE, YELLOW OCHRE, MALACHITE GREEN, AND INDIGO
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BOOK I
BOOK II
BOOK III
BOOK IV
BOOK V
BOOK VI
BOOK VII
BOOK IX
4. Some mouldings are flat, others in relief. In rooms where there has to be a fire or a good many lights, they should be flat, so that they can be wiped off more easily. In summer apartments and in exedrae where there is no smoke nor soot to hurt them, they should be made in relief. It is always the case that stucco, in the pride of its dazzling white, gathers smoke not only from its own house but also from others.
Vitruvius: The Ten Books on Architecture. Vitruvius. Morris Hicky Morgan. Cambridge: Harvard University Press. London: Humphrey Milford. Oxford University Press. 1914.
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Citation URI: http://data.perseus.org/citations/urn:cts:latinLit:phi1056.phi001.perseus-eng1:7.3.4
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